CHEVY MUSIC (Chevrolet) presenta:
Groovesense Bolivia Productions por primera vez en Cochabamba este 11 de Enero!!
Groovesense, con 7 años de trayectoria realizando las mejores fiestas underground del país (con base en Santa Cruz), se caracteriza por brindar una experiencia audio visual de lujo con su propuesta musical fina en lugares espectaculares, esta vez elige a 410 Rooftop para su lanzamiento en nuestra querida Cochabamba.
Los invitados especiales son: Mariano, Marco Velkeo y mas artistas por anunciar!
En esta ocasión especial , CHEVROLET junto a GROOVESENSE se lanzan a la aventura de brindarles una fantástica experiencia musical: CHEVY MUSIC, fusionando lo mejor de la escena electrónica internacional y nacional de vanguardia.
Fecha: Sábado 11 de Enero
Hr: 05 PM – 01 AM
Lugar: 410 Rooftop
Mas artistas por anunciar…
¡Tickets y Reservas disponibles! PRE VENTA:
Early Bird = 60 Bs (¡SOLD OUT!)
FASE 1: 90 Bs.
FASE 2: 110 Bs.(Proximamente)
Seguinos en IG
Media Partner: Bolivia Underground
If we talk about electronic dance music and think about a south american spot, our minds will quickly aim to Buenos Aires, a place where the name Mariano needs no introduction.
Having discovered the piano and electronic music at his early youth thanks to his family, he grew up intensely interested in music. Being just a teenager he started to walk around every dance floor of his hometown (Rosario, where he was born and raised) and by the late 90’s he started to mix records at a local pub. Over the next decade, he became a key player into the south american scene being booked for major events such as Time Warp (Argentina) and Creamfields (Argentina, Brasil, Peru). Mariano also became a regular guest at the best regional clubs like Pacha, State (Buenos Aires), Warung, D-Edge (Brasil), La Feria (Chile).
His sets, characterized by a deep hypnotic flow and soft mixing skills also captivated dance floors over the world as Club Der Visionaere in Berlin or Womb in Japan.
A true student of new technologies but also a vintage hardware lover, his versatility in the studio caused that -in one hand- artists like Ricardo Villalobos or Laurent Garnier played his music, and -in the other- major labels like Sony hired him for remixing duties.
After releasing an independient LP in 2009 and several works with friend’s labels, he decided by 2012 to found one of his own, naming it GET SLOW. Years later he founded MICRA and also joined a project called LA MONTAÑA DISCOS with local friends.
Nowadays, with three vinyl labels on the run and more than fifteen years of a consolidated career he decided to start a new path using just his birthname.
Escuchá en SoundCloud: